2020 – Beethoven year! This short film based on the song cycle “An die ferne Geliebte” Op. 9 was recorded in Baden near Vienna on the magnificent fortepiano, Beethoven himself used to play on. The film captures the not only the beauty of this original instrument but also the
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Easterfestival Salzburg 2019 – Richard Wagner – Die Meistersinger – Christian Thielemann
Read more →Günter Haumer as Tsar Peter the Great in Lortzing’s famous play opera “Zar and Zimmermann” at the Vienna Volksoper. The direction of Hinrich Horstkotte and the musical direction of Christof Prick guarantee an entertaining evening!
Read more →Due to illness of Valeriano Lanchas I’m honored to sing under the baton of Andrés Orozco-Estrada in his hometown Medellín in Colombia! CONCIERTO DE ANIVERSARIO ORQUESTA FILARMÓNICA DE MEDELLÍN
Read more →Concert for Salzburg Collegium Vocale Gent Sächsische Staatskapelle Dresden JOHANN SEBASTIAN BACH St. John´s -Passion BWV 245 Günter Haumer Jesus Collegium Vocale Gent Philippe Herreweghe Dirigent Thursday, March 29th 2018, 6 pm Großes Festspielhaus
Read more →Recital with songs after Goethe´s Faust Works by Beethoven, Wagner, Busoni, Mussorgski, Liszt, Loewe, Schubert a.o. Stefanie Iranyi – mezzosoprano Günter Haumer – baritone Ani Takidze – piano http://teatroregioparma.it/Pagine/Default.aspx?idPagina=937#
Read more →In commemoration of the death of Erich Wolgang Korngold 60 years ago, the baritone Günter Haumer, the conductor Wolfram-Maria Märtig (as pianist), the concert master Anne Harvey-Nagl and the Solo-Cellist Ricardo Bru dedicate an eveving of songs and chamber music. They perform besides others the suite of
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in the season 2016/17 Günter Haumer will perform the following roles: new production of “Gasparone” by Carl Millöcker in the main part of Count Erminio Saluzzo Gamekeeper / Rusalka Count Almaviva / Le nozze di Figaro Sprecher / Die Zauberflöte Giorgio Germont / La Traviata Dr. Falke
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Volume 7 of our Complete Strauss Songs cycle focuses on the juvenilia. But obfuscated beneath the mysterious TrV numbers lie conceptions hard to reconcile with the facts behind their composition (Strauss was just six when he penned the ?rst of them-his mother had to write in the
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